27 June 2008

Not for the Easily Distracted

Line Rider: Draw lines on your screen and watch a little guy ride a sled over them. Marvel at the realistic physics and spectacular crashes. Wonder what happened to your afternoon.

BLDGBLOG: Fascinating stuff about design, secret passages, and urban environments; but it makes you wonder how a respected architect finds time for such frequent and heavily researched posting.

The Conet Project: 92358 04635 19248 93855 21985 28134 91248 59812 23589 12985 91245 95854 59382 23598 07315 52378 48923 12948 59238 85274 12744 58372 82357 24871 18247 92386 69262 90902 03523 59351 44412 59251 71112 52355 62369 59358 34872 12384 14818 59325 36962 39635 95325 35820 59589 99910 21120 24440 57897 89355 82884 28412 27855 68903 23494 12469 30598 29591 29353 58235 56776 67384 94686 83669 78342 85235 11223 47950 69435 96969 68993 67456 63368 84322 34567 58394 68023 52355 69046 64636 22004 ende

23 June 2008

Cloose to the Edge

I had a hypnagogic math moment last night, as we all do from time to time. I drifted off and imagined a geometric sequence s in which each term was exponentially larger than the last. For example, suppose s = n3 for n = 1, 2, 3, .... The 4th term is 81 and the 5th is 243. The numbers x = 90 and y = 700 are "close" in a sense because they're just one term of s apart, yet you might argue they are not close in absolute terms because they differ by an order of magnitude. My foggy brain decided the numbers were not close but cloose (that is, "loosely close," or close only with respect to s). I had the wherewithal to recognize cloose as neologism worthy of Hofstadter, whatever it was I thought it meant, and filed it away for the morning. Now the s I gave above is a simple example, but you can see that with a more extreme definition (say if it relied on factorials or the Ackermann function) cloose will cover far more territory on the number line than close. I started to wonder whether it made sense to define clooseness differently for things other than sequences, like functions or series, but then fell asleep and dreamt about appearing on Iron Chef America (presumably for Battle Toast, Battle Hot Water, or Battle Beer).

20 June 2008

Mystery Blob

What is this strange, fuzzy little thing? Plankton? A white blood cell? A jellyfish? A virus? Inscrutable Peter Saville album art? Paramecium poop? It looks kind of mossy, doesn't it? And it's surrounded by a thin, blue sheath that suggests a cell wall or the thin skin of a tiny aquatic animal.


All totally wrong, of course. It's a great big thing floating in space: The Tycho Supernova remnant, to be precise. We were only off by a few dozen orders of magnitude. How slick is it that it looks so much like something we'd see in a biology textbook or under a microscope?

It's a false color X-ray image, which perhaps explains it's unusually textured, 3-D appearance, as if you could reach out and poke it.

Amazon

Alternate Worlds is now available on Amazon as an MP3 album. They also have Sixteen Worlds used CDs.

18 June 2008

Random iPod Walk: Best Of

This is today's random walk through our iPod Best Of playlist, the songs that make us shout "Yes!" and pump a fist when we hear them.

The KLF, "Kylie Said to Jason"
This was what the KLF was about, also known as the Justified Ancients of Mu Mu, furthermore known as the JAMMs.

Rush, "Time Stand Still"
Yes, '80's prog rock.

Joy Division, "Warsaw"
The first and last monster Joy Division riff.

808 State, "Spanish Heart"
The vocals by Bernard Sumner elevate this beyond the band's usual generic techno.

The Beatles, "Get Back"
A fantastic groove pinned down by Billy Preston's keyboards. We love George's understated rhythm guitar. It must have taken great discipline to keep it simple.

KMFDM, "Megalomaniac"
The second best track from the last great KMFDM album, the best being "Anarchy."

Nick Cave and the Bad Seeds, "Red Right Hand"
We imagine a barren western scene, continuously panning across bleached skulls, saguaros, and distant silhouetted figures.

Stevie Ray Vaughan and Double Trouble, "Cold Shot"
Recorded in the early morning after a long, otherwise fruitless session. The desperate energy is evident in this lucid, faultless take.

R.E.M., "Orange Crush"
The second best track from Green, the first being "Turn You Inside Out."

Keller Williams, "Freeker by the Speaker"
Silly, groovy pop with ultratight rhythm and Williams's liquid acoustic guitar work.

The Magnetic Fields, "Long Forgotten Fairytale"
The synthpop gem from the stylistically diverse triple album 69 Love Songs.

Sublime, "Get Ready"
The casual listener may be forgiven for assuming that the singer hailed from Jamaica. What a voice.

Frank Zappa, "Sexual Harassment in the Workplace"
A great Zappa blues guitar solo extracted from a live recording and given a typically goofy title.

They Might Be Giants, "Mr. Xcitement"
TMBG with a beat and an idiosyncratic guest rap from Mike Doughty.

The KLF, "3 A.M. Eternal (Original)"
From the unreleased soundtrack to their White Room film.

Edvard Grieg, "In the Hall of the Mountain King"
We hope Michael Binkley achieved his stated goal of dancing the lead in Peer Gynt.

Depeche Mode, "Enjoy the Silence (Single)"
It seems naive now, but in 1989 we high schoolers wondered how a band like this could make such a huge impact without a drummer.

Amoeba Crunch, "Weights and Measures"
This is an unreleased song from 2005, though we are looking into clearing its samples for a possible future release. Or so it seems. Mostly we're having fun exchanging emails with business associates of the late, great Richard Feynman.

The Beatles, "The Ballad of John and Yoko"
Notice how the repeated bass figure wraps around to the next bar, propelling the groove forward. This was just Paul and John. Paul is behind the drum kit, as he was on "Back in the U.S.S.R." when Ringo briefly quit the band. This reminds us of John's dry answer to the question of whether Ringo was the best drummer in the world: "He's not even the best drummer in the Beatles."

Venus Hum, "Soul Sloshing"
Venus Hum deserves to be more popular. They have a lot of talent and are nice folks to boot.

Mindless Drug Hoover, "The Reefer Song (Grass Garden of Child's Mix by the Orb)"
Hilarious lyrics and delivery, and much improved by the Orb's double time dance hall backing track. Give yourself a laugh and check this out. You'll be singing it for weeks.

Nine Inch Nails, "Sin (Long)"
Classic teenage angsty NIN.

The Magnetic Fields, "Epitaph For My Heart"
Another from Stephin Merritt's tour de force, 69 Love Songs. We admire anyone who can work product warranty legalese into a poignant lyric. The only fault is that it's too short.

Erasure, "A Little Respect"
The cover by Wheatus is even better.

New Order, "Ceremony (Trio Version)"
"Ceremony" is our second favorite N.O. song.

Venus Hum, "Hummingbirds"
Deep, deep bass drum. This was great live. Twice.

Massive Attack, "Angel"
Great song, great video, which was all the better for the surprise ending that proved they had a sense of humor after all.

The Doors, "Peace Frog"
The Doors did techno ten years ahead of everyone else.

Belle and Sebastian, "Step Into My Office, Baby"
This has a unique sound. We heard it on Philly's WXPN, ran out and got the Dear Catastrophe Waitress CD, and were not disappointed.

Medeski, Martin, & Wood, "Bubblehouse"
Supergroovable jazz funk track, frequently heard as NPR interstitial music.

Van Halen, "Hot For Teacher"
Anyone who grew up in the '80's can dig this.

Us3, "Cantaloop (Flip Fantasia)"
This popular cut from 1993 is based on Herbie Hancock's fantastic jazz number, "Cantaloupe Island."